|
The design philosophy and planting of the new Rose Garden at The Savill Garden, Windsor Great ParkThe Savill Garden’s contemporary new Rose Garden opens to the public on 15 June 2010 with the stunning design drawing out the traditional qualities of the rose within a modern context. The Crown Estate commissioned Wilson McWilliam Associates, to design a new Rose Garden on the site of the existing one which was looking increasingly dated, its ornamental quality falling below the standards expected in The Savill Garden. From an initial concept and outline design by Andrew Wilson, the scheme was developed through to completion by Andrew and Gavin McWilliam as they merged to form their new partnership. This involved working closely with all parties involved to deliver the scheme on site. Mark Flanagan, The Keeper of the Gardens, Windsor Great Park, says: “My aim in commissioning the creation of a new Rose Garden was to leave behind the traditional elements and the formality associated with conventional designs and to explore new ways of presenting roses to create a fresh and stimulating visitor experience. Many rose gardens have a similar look and feel but we wanted to continue The Savill Garden’s progressive approach with a design that would look to the future.” Andrew Wilson of Wilson McWilliam Associates, comments: “The Crown Estate asked for an iconic and innovative design, something memorable to visitors. The connection to memory made us consider perfume – an essential quality in many roses. Perfumes and scents will often trigger an instant memory recall and we started to consider how this might affect visitors. The concept of intensity began to develop with the idea that perfumes and colours could be concentrated towards the centre of the Garden. The concept of a walkway rising above the Garden allowed this to be seen and experienced to perhaps the greatest advantage. The idea of standing above a mass of rose colour with the perfume rising in the warm air took shape.” “The shape of the walkway responds to the shaping of the entire garden which, coincidentally, developed a rose flower form. The curves and interlocking crescents come from the concept of journeying towards the centre of the garden. The idea is that the various colour beds interlock but appear to move as one walks around the garden. This will produce a wide range of complex colour interactions. The walkway rises above and curves back to centre on the main view to The Golden Jubilee Garden revealing the roses from above. The second main path drops down into the centre of the Garden through the roses. One idea is that people compare their respective views and experiences but will not be able to move directly between the two. We see it as a sort of dance with the roses with people graduating towards the centre.” Work commenced on the new Rose Garden in August 2009, with the clearance of the old rose beds and re-landscaping for the new design in an expanded area of 60m x 60m. The famous and striking wisteria and the historic alpine beds have been retained. The latter refurbished and replanted to reflect their original appearance. The planting of 2,500 roses consisting of 28 varieties began in March 2010. The roses have been selected by Harvey Stephens, Head of The Savill Garden, on the basis of perfume, colour, repeat flowering and vigour and are being used purely for ornamental effect. The Rose Garden’s curves and interlocking crescents create a journey towards the centre of the Garden, emphasised by the way in which the roses have been planted. The palette of colours radiate out from an intense centre of deep plum purple through soft pinks fading to white and subtle apricots to tangerine orange where the Garden meets the vibrant herbaceous borders. The use of repeat flowering roses means that the Garden will look splendid from mid-June through to September. Movement is intrinsic to the design of the Rose Garden. The paths circulate around the visitor leading to the centre of the Garden with many different views. Once in the centre, the eye is thrown out to the fringes of the Garden by the use of colour, shape and grasses. The grasses - miscanthus and molinia - have been planted in the rose beds and on the landscaped spurs of the Garden. The use of grasses among the roses adds an intriguing dynamic to the Garden; their form and height changing through the summer. Appearing gradually their foliage will emerge as the season progresses and they will assume a more prominent role as their flowers expand and take the Garden into the autumn just as the roses fade. On the spurs the mass planting of molinia is designed to ‘throw’ the garden into the surrounding area and the contrast between close mown turf and the airy grass flowers will create a striking ornamental effect in its own right. Mark Flanagan adds: “In recent years we have worked with a number of talented garden designers and we are delighted with the way that Wilson McWilliam Associates have responded to our brief and produced such a challenging and innovative design. A visit to the Rose Garden is a thrilling and surprising experience. The Garden works in many different ways and there is a seasonal aspect to the planting which has really excited me. The newly emerging rose foliage – myriad shades of green and coppery tints – gives way to the intensity of midsummer flowers before the grasses assert themselves and continue the ornamental effects into the frosty conditions of winter.” Ends For more press information and to access images of the new Rose Garden, call Sarah Halstead, Marketing Department, The Crown Estate, on 07918 121905 or email Sarah.Halstead@thecrownestate.co.uk
|
.jpg?artworkID=359&version=1&displayname=Savill Garden: the Jubilee Garden (2)&transformID=64)
